The Wonders of Multilingualism #6: (un)learning languages

Wed 18.09.2024
20:30 - 22:00
WOM6 copyright Sepideh Farvardin
Last tickets

Locations


Category

interview, performance, meeting

Price

free

Programme

you can buy a ticket for the performance via this link.


Language

multilingual

Kaaitheater and Passa Porta present the sixth edition of The Wonders of Multilingualism, which focuses on the layeredness of multilingualism. This time, in (Un)learning languages, several makers take a closer look at the links between migration, power and language acquisition. Thus, they unravel the relationships between language and power and dig into (language) resistance.

Language: no broblem is a performance by Marah Haj Hussein that explores the complex relationship between multilingualism, power and migration. A train journey in Belgium leads to intriguing encounters and conjures up voices from occupied Palestine.
After the performance, author Maud Vanhauwaert will present her project Ik spreek de taal nog niet zo goed (I don’t speak the language very well yet) and engage in conversation with Marah Haj Hussein, Fatima Noori and Zaïneb Hamdi. Brussels City Poet Lisette Ma Neza will provide a poetic framework.

This performance is also part of the Molenfest programme.

« Language: no broblem »

The first part of this edition of The Wonders of Multilingualism consists of the performance Language: no broblem, for which Belgian-based Palestinian theatre-maker Marah Haj Hussein was awarded the Roel Verniers Prize at the 2023 Theaterfestival. In it, she reveals layered forms of pressure, violence and domination that one language can exert on another, constantly transforming and changing it. The performance embraces the limits of a language’s translatability in order to keep thinking about processes of resistance.

“Ik spreek de taal nog niet zo goed” (I don’t speak the language very well yet

After the break, we will continue with Maud Vanhauwaert, who, after someone apologetically introduced themselves to her by saying ‘Ik nog niet goed spreek de taal’ (I not very well yet speak the language), asked herself how many combinations were possible with the words ‘Ik spreek de taal nog niet zo goed’ (I don’t speak the language very well yet).

It turns out there are 40,320 combinations possible, and all were voiced over the past few years. She presents the world's longest audio poem and we explore how it would sound in other languages.

Fatima Noori and Zaïneb Hamdi

Maud and Marah will reflect on multilingualism, migration and language acquisition, and they will do so with writers Fatima Noori and Zaïneb Hamdi.

Afghan-Belgian Fatima Noori had to flee her homeland and after a horrific journey ended up in Belgium, where she learned Dutch very quickly. When she was 13, she wrote Het boek van Fatima (The book of Fatima) about her experience, describing what it is like to be a refugee and dealing with powerlessness and racism.

French-language poet Zaïneb Hamdi made her debut in 2017 with the collection Fils d’Arabe. She has also written several contributions for publications in Belgium and France. She also transforms her texts into stage performances and video art. April 2024 saw the publication of her second collection of poems, in which language and physicality resonate.

Lisette Ma Neza

She is from the Netherlands but now lives in Brussels where she studies film. In 2017, she became the first Dutch-speaking woman to win the Belgian Poetry Slam Championship. In 2018, she became vice-world Slam Poetry champion in Rio de Janeiro. She has so far only published her work on stage, both solo and with her backing band. VRT called her ‘our own Amanda Gorman’. In 2024, she became the first Brussels City Poet.

The Brussels City Poet wrote a cycle of poems about language and identity for Molenfest. She will read from it and will also provide an improvised poetic conclusion at the end of the evening.

Org. : Passa Porta et Kaaitheater

photo dinner © Sepideh Farvardin, Fatima Noori © Jan De Meuleneir, Zaïneb Hamdi © Pauline Colleu, Lisette Ma Neza © Ivan Put

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